Thursday, February 25, 2010

A Change is Gonna Come: Thoughts on Sarah Cunningham's Picking Dandelions

A few weeks ago, Sarah Cunningham gave me the opportunity to review her new book, Picking Dandelions: Searching For Eden Among Life's Weeds.  My free copy came in the mail and I was psyched to get started, especially after reading one of the inside notes of praise by another author..."Those strongest in faith are those who've questioned their faith."  I've found this to be true--whatever your faith(in God, in no God, in yourself, in each other) may be--and I love reading stories that really dig into the questions, dwell on the answers, and linger in all the spaces in between.  I read all 221 pages of the book on a  flight from Boston to Fort Lauderdale.  I read it, thought about it, discussed it with Jorge, and then re-read many of the passages again.

And now, writing my review, I'm torn.  Very torn. 

I want to like this book.  To be fair, there are many things I do like about this book.  And I admire Sarah for tackling a subject that isn't easy, for putting herself out into the world, for sharing her vision of Eden and daring us to all to create it.  I'm drawn to passages like this one:  "As much as I loved the world and faith as it was, I longed for the world and faith as I believed it could be.  And like many aspiring world-changers, I thought I could somehow be a bridge between the two."  I read that and immediately felt a connection with Sarah.  I recognized myself, my friends, and our belief that we have the power to make life better.

I couldn't help but relate when further down the page she writes, "In the end, we changed less of the world than I had hoped, not even solving the problems of the continent we were on, let alone making a dent in the others."  In those few lines Sarah captures the struggle that many of us are experiencing: We've been told that we can do anything we believe in--but sometimes, at least in the short term, that isn't exactly true.  We do the right thing, be the bigger person, and still find ourselves at the wrong end of fairness.  For world-changers, that can be more than a bit hard to stomach.  And it's exactly why it's so important to keep going, to renew our faith and hope when bitterness and cynicism has all but dried it up.

So why am I torn?  Because I finished the book and felt disappointed.  It was like I had met someone who was clearly interested in forging a new friendship, but was deliberately keeping me at arms length to protect herself.  I felt like this author has so much potential, so many worthwhile things to say, so many small, relatable moments that add up to a big, meaningful impact. 

But she only skimmed the surface of a deep well of thought, feeling and experience.  And because I sensed the potential, I wanted more.

In the last third of the book, Sarah's message is about change--not the airy-fairy kind of change that is so often thrown around these days, but real, self-actualized, personal change.  She tells us about her flaws and the challenge of "picking those weeds" to create a more vibrant, beautiful garden.  She subtly suggests we do the same.  Our own contribution to a global Eden.  I love that!  Then, just when she's starting to get into those blemishes, she abruptly writes, "In the interest of time, I'm going to skip to the last flaw on my list." 

Sitting on that overly-full plane, flying high above the cities, I shouted NO! in my head.  Don't stop there for heaven's sake!  This is the good stuff, this is the stuff that all of us who want to be better people need to hear more of.  Forget time!  Time will understand.  In the interest of Eden, of Sarah's journey, I wanted her to stick through the messy stuff (It's not exactly a good time to mine the tunnels of our flaws) and keep writing.  I wanted to hear about what made it hard for her to look her flaws in the face and open her arms to change.  I wanted to hear how she coped when change didn't happen quickly enough.  I got a little of that.  Snippets.  But ultimately I felt like the book that Sarah was supposed to write is hidden in the crevices of this one.

I encourage my readers to pick up this book and think about it for yourself.  If you're like me, it will push you into investigating your own faith, your own reasons for embracing change, your own need to examine your flaws honestly, critically, and compassionately.  As Sarah says at the end of her novel, "Picking weeds is a beautiful thing."

And I invite Sarah to take another look at her work, acknowledge her accomplishments, and dive back into the writing waters of self-exploration.  There's more there to discover; your readers will thank you for finding it.

Pick up Sarah's book here.

Read more about the author on her website.

Friday, February 19, 2010

I was pretty stunned to see this photo of well-loved/often hated film critic Robert Ebert.  So stunned that I kept navigating away from it, only to hit the "back" button so I could make sure it was really him.  If you ever watched "Siskel and Ebert" or "Ebert and Roeper" I bet you're pretty shocked, too.
I knew he had been battling cancer for some time now, but I suppose because he continues to publish a superhuman amount of movie reviews I assumed he had recovered and was back to "normal."  I don't know how the man manages to see so many films AND write about them AND do it well.  There must be a reel inside his head.

If you aren't aware, 4 years ago Ebert had surgery on his jaw to remove cancer.  The cancer and procedure drastically changed the shape of his face.  After the operation he had a tracheostomy
which left him completely without a voice.  He communicates now through his writing, speech to text software, and sign language.  A profound change for anyone...especially someone who many consider to be the face of popular film criticism.

I'm blown away that he's still critiquing, still writing, still praising and lambasting movies at a record pace.  Pretty inspiring to all of us who know we can do more, be more, learn more.

Read a bit about what he's overcome here (People's story on Ebert).  I'm hoping to pick up the full feature in Esquire magazine soon. 

Do you have a favorite Ebert review? 

Sunday, February 14, 2010

Just a quick note for Valentine's Day...


Happy Valentine's Day, everyone!

I know some of you don't care too much for this holiday...just another way for stores to make you spend more money.  But think back to those days of yore--aka, kindergarten--when Valentine's Day was simply about giving your classmates a nice little note.  Spreading the love, if you will.  I remember coming home from school, flopping down on my bed, and sorting through the tiny cards to see what my friends wrote to me.  Most of them were just signed in awkward sprawl, "From, Carrie" or "David."  A few containted more complex thoughts:  "You're nice.  From, Mark."  Even then, I tried to read more into what they wrote.  But mostly I just appreciated having a little piece of paper that let me know someone thought of me that day.

I think holidays only become commercialized when we let them.  We're the ones who bring the holiday spirit, we're the ones who make them meaningful. 

Hope you feel loved today.  If you don't, go love someone anyway.

Tuesday, February 09, 2010

Beneath The Surface: Avatar and The Hurt Locker

The possibility of Best Director and Best Picture coming down to a contest between  Kathryn Bigelow (The Hurt Locker) and her ex-husband James Cameron (Avatar) has Academy followers positively teeming with anticipation.  The Academy loves stories like this; they’re both so talented. They both made movies dealing with war.  And oh gosh, they were married. But now they’re divorced!  Who will take home the prize?  More importantly, will they acknowledge the other when he or she is holding that statuette tightly in their hands?

It's the perfect recipe for award show heaven.

Bigelow and Cameron have made impressive, visually stunning films that keep your eyes peeled and your heart racing.  In their own, unique ways, they're both masters of the compelling shot, tight, edge-of-your-seat action and effects that leave you positively bewildered as to how they pulled it all off.  But they've also created work that at times feels uncomfortably forced, contrived, and emotionally shallow.  The commitment to craft and entertainment is clear; the ability to provoke deeper thought and meaningfully connect with an audience isn't.

I saw Avatar twice; once in 3D, once sitting in the front row on Christmas night.  A few scenes absolutely took my breath away.  I could almost taste the air when Jake Sully takes off for his inaugural flight aboard his Ikran (a huge creature that looks something like a pterodactyl.  The panoramic views of Pandora made me feel like the kid in American Beauty--the intensity of the colors, the lushness of the landscape, the diversity of creatures was almost to too much to take in all at the same time.  And I loved watching the long and lean (and Blue Man Group blue) Na'vi effortlessly run through rocky soil, up mile-high trees, and down mammoth waterfalls.  Parts were so real that I forgot it was CGI...and I can't remember the last time I said that.

But here's the thing(s) about Avatar.  The characters have less dimension than our sad sack of politicians.  The dialogue gets so bad that cringing becomes involuntary (Yes, the heartless General actually says "You're not in Kansas anymore, you're in Pandora" as he introduces new recruits to the planet).  Every cheap, emotionally manipulative trick is used to drag you into the narrative.  (Sully, our hero, lost the use of his legs in a previous tour of duty.  But in his Na'vi avatar body, he can walk, run, and kick-ass once more.)  The environmentalist message is poured on thick and feels more like pandering than an authentic point of view.

You know how those huge, glittery, beautiful packages line the store windows at Christmas?  And you know how you can lift off the tops and find them empty inside?  That's pretty much how it is with Avatar.  Worth looking at, not very gratifying.

Despite it being a very different kind of movie, I can say the same thing about Bigelow's The Hurt Locker.  This is a gritty, visual coup d'etat with nuanced performances and effects that make you forget you're watching effects.  Bigelow is a suspense genius.  She opens the door, invites you in, then proceeds to turn up the heat until you don't even realize you're burning alive. 

But take a step back from this cinematic firestorm and maybe you'll come to the same conclusion I did:  The Hurt Locker is a well-made, well-acted film with a serious lack of substance. 

If you're going to take on such complex subject matter--a war happening NOW, with real friends and family serving both in the military and diplomatically--don't you owe them more?  Don't you owe us more?  Is it enough to create a movie that captures the adrenaline of war, but not much else?

We're going on ten years of being embroiled in the Iraq War.  Ten Years.  Many of us know at least one person who is no longer on this planet because of their time in Iraq.  Most of us know more.  Perhaps I wouldn't be as perplexed by this movie if it was released 9 years ago when we were just starting to assimilate what this war looked like for some of the people involved.  Perhaps a piece that stopped at mere observation would sit a little easier.  But at this point, I need more.  I expect more.

The special features on the DVD pushed me over the edge of being disappointed with the intellectualism of the film.  Bigelow and crew sit around commenting on how realistic shooting was; they flew to the Middle East so actors could feel the heat of the desert, the sandstorms beating in their faces.  Listen closely and you'll hear the cockiness of this team, pleased with themselves that they've gotten so close to reality.  But high temperatures, sand, and location does not make for reality.  It's that inability to truly examine their subject matter, the failure to dive deeper into the story, people, and motivations of this war that make it entertainment and not art.




Wednesday, February 03, 2010

Upcoming Book Review--Picking Dandelions

Sarah Cunnigham's new book "Picking Daisies" came out yesterday...I'll be reviewing it here on February 23rd. 
Here's a snippet from the publisher:


In Picking Dandelions, author Sarah Cunningham explains how coming to religion through the front door--rather than through a weeping, born-again conversion--can make it difficult to understand how faith changes life, and even harder to grasp why it must. This memoir is a candid and personal account of outgrowing laissez-faire Christianity, moving into mature faith, and realizing that a God-following person is a changing person ... and you just might follow suit. 

Sound up your alley?  Get it here:
http://www.amazon.com/dp/0310292476/ref=cm_sw_su_dp

Sunday, January 24, 2010

Julie and Julia: Mastering the Art of Joy


After snagging a copy from the grocery store Redbox, we cozied up for a viewing of Nora Ephron's Julie and Julia last night.  I'd heard that Meryl Streep is phenomenal (again), and the movie entertaining (even for husbands).  Jorge and I haven't been feeling well the past few days, so we figured this would be a good flick to watch as we nursed ourselves back to health.  And if we happened to fall asleep in between coughing, wheezing, and cooking...well, so be it.  Julie and Julia wasn't exactly on our "must-see" list.

But despite this ho hum attitude, I found myself actually cracking a smile shortly after we hit "play."  I don't typically smile at movies.  Not because I'm not a smiler, but because I tend to take them in, digest them if you will, and determine how I feel about a movie afterwards.  I'm a processor.  I make big leaps and connections between characters and plot points and I'm the one who usually guesses the ending or thinks about why the science isn't sound.  It's difficult for me to watch a movie and just stay in the present.
But this movie is so baked with joy, it's nearly impossible NOT to be in the moment.  Joy is in the writing, it's in the acting, it's in the set design, the cinematography, it's in the food.  And wow, is there a lot of FOOD.  For those of you unfamilar with the premise of the film, it's based on Julie Powell's book which details her experiment to prepare all 536 recipes from Julia Child's Mastering The Art Of French Cooking in 365 days.  All of this adds up to mouth-watering shots that manage to make even a towering pile of onions look appetizing.

Julie's story is paralleled with Julia's, the larger-than-life woman who changed cooking in America forever.  Julia's adventures at the male-dominated French cooking school Le Cordon Bleu, her suprising, sweet and afternoon sex-filled love affair with husband Paul and the 8 year quest to publish a cookbook that teaches regular folks how to whip up delicious cuisine de France is clearly the more intriguing of the tales.  She's a tour-de-force kind of woman, the sort of spirit who eats up life while she's eating up new recipes.  She teaches us to keep going, to grab opportunity with both hands, to whisk and stir and mix with intention and laughter.  It's hard to not be inpsired by Julia Child (not to mention the way Meryl Streep makes inhabiting characters look so darn easy).

But that doesn't mean Julie's journey isn't compelling.  Mais non!  Julie captures the soul of the twenty-something malaise that haunts many of us at one time or another.  She starts off as a woman lacking purpose and direction. She's lamenting a half-finished novel that she just can't seem find time for.  She's wasting away in cubeland, answering phones to pay the bills.  She loves her husband, but they've fallen into the routine of getting by.  Julie needs an injection of something new. She finds it in her committment to cooking and blogging about it on the mighty interwebs--the land where we can all be published and anyone who stumbles across our page can be privvy to our innermost thoughts.

And by golly, her innermost thoughts catch on.  Fumbling through the recipes and her life, Julie snags a crowd of blog followers eager to find out if she'll be able to butcher a duck, poach an egg, or reconnect with her hubby.  Not only does she discover her voice, her readers, and her flair for buttery sauces, she also discovers her dream--a publishing deal and a movie contract to boot.  Not too shabby for the little blogger that could.

We need more movies like this one.  Movies that remind us that all is not lost, that hope and goodness can be found in a 1/2 cup of heavy cream, a side of bernaise sauce, a smattering of genuine persistence.  There is so much focus on tragedy and disappointment that we tend to forget just how much joy there is in this great big world.  We fail to see the beauty right in front of our faces.  But it's there.  Even when all seems lost, it is there.   And we can all be the joy-filled beings we so desperately seek.

In case you're interested in Julie's current blog, check it out here:
http://juliepowell.blogspot.com/

Tuesday, December 22, 2009

Julia Sweeney's Letting Go Of God

Flipping through the channels this morning, I caught about a half an hour of Julia's new Showtime monologue. I really needed to get up and get moving, but her down-to-earth delivery and insightful commentary reeled me in and wouldn't let me go. Jorge finally nudged me..."we can catch the rest when it airs again. We've got work to do." He was right, so we turned off the television and started our day.

If you haven't seen, read, or listened to Julia's work, the title is actually pretty revealing. This is her journey from a Catholic upbringing, to exploration of New Age mysticism, to spiritual investigation to the realization that, much to her initial dismay, there is no God. She talks about the massive shift that takes place in her own mind after this discovery and all the ways her world and relationships are forced to shift. Julia's very faithful family is extremely disappointed (Mom and Dad even stop talking to her for a short time) and has a hard time relating to her as a "Non-theist."

What hooked me was Julia's description of her relationship with God pre-understanding of his non-presence in her life. She describes herself talking to God everyday, viewing new people and experiences as gifts from God or at the very least....there for a reason. She talks aobut losing people in her life to disease, to circumstance, to age, and her feeling that there was something else out there. Something bigger, and something with a plan. The feeling was strong and real and certainly worth believing in...or was it?

I've had those same feelings and those same conversations. I experienced the reality of someone close to me dying before I was eight years old. I was too young to fully grasp the meaning and permanancy of someone being "gone," but old enough to wrestle with the pain and introspective enough to ask myself and ask God why terrible things happen. I clearly remember feeling the presence of something greater in my life. I clearly remember feeling that even though there wasn't an answer with words, there was an answer. A deeper answer, an energy that stayed with me. Over the course of my life, I've spent many days being angry at God but always sensing that he or she or whatever God is...was there. Everytime I'm tempted to let God go, something brings me back. I'm intrigued that Julia Sweeney actually let that possibility become a reality. I wonder what keeps some of us from crossing that line while others find themselves walking in a world without a creator.

Like Julia, it feels like I've always been hunting around for the "right" spirituality. I was raised Methodist and still feel a strong connection to Christianity, but there are several aspects of the church that just don't click for me. It doesn't make sense that one must accept Christ as savior to receive His gifts. Why would God force such a thing? Why would there be a prerequisite to a genuine relationship with Him? It feels unfair to me, like something humans made up because that's what we do...make up rules to create separtation between ourselves.

I tend to be more liberal in my Christianity, finding Jesus' message to be more about love, respect, and our equality in the eyes of God. I think Jesus showed us what it is like to be a human committed to God, to a better way of life. I'm constantly questioning, constantly finding new truths and new red herrings. I've read Deepak Chopra, practiced meditation, studied reiki, investigated the chakras, gone through the Bible twice (yes, all the way through), and particpated in discussions aimed at finding what is real. Something worth believing in.

At the end, all of it leaves me at first with a feeling of connectedness, an uplifting air of something mysterious but so beautiful that it only can be felt but not understood.

And then it leaves me feeling empty. Very empty. Not unlike the emptiness I feel when someone goes back on their word, neglects to be present in a conversation, or fails to be honest about themselves. I think they have good intentions, but many spiritual leaders and writers push their own God agenda..and are quite gifted at sharing it in a way that feels like it isn't an agenda at all. Isn't it possible that there is no "right" way to experience God, that God doesn't want anything of us?

Having not finished the show, I don't know if it's this empty feeling that lead Julia to determine "we invented God, God did not invent us." I know much of her journey was intellectual and the rational examination of a lot of the hogwash that people purport to be true. But I can imagine that the emptiness of words, the lack of tangible experiences could push her in the direction of believing that God simply does not exist. Not to mention the mind-numbingness of sorting through all the spiritual leaders out there who to claim to have the definitive answers on God. Everyone seems to know exactly what God wants...so how come they all tell us he wants different things?

I haven't let go of God. In the moments when I am quiet, away from the rest of the world, the endless chatter, the rush of ambitions, the frazzled souls, I feel God with me. Maybe it is just a projection of my human brain, or a sense of my own self, but I haven't come to that conclusion. Unlike Miss Sweeney, my endless journey through the spiritual hills and valleys has not led me to believe that God is fiction; only that the stories we tell ourselves about Him are.

Julia Sweeney's Blog: http://juliasweeney.blogspot.com/

Tuesday, November 24, 2009

Save America



I came up with the concept, and Jorge created the design for this little number. Made for the Fashion "Conscience," the message isn't about ideology. It's not about a lean to the left or a lean to the right; it's about we Americans standing up for our country and fighting for a better way of life....regardless of party, religious background, or culture. It's about recognizing that we've lost our voice, but that we have the power to take it back. And take it back we must.

We've allowed our leaders to lie to us, act unscrupulously on our behalf, take selfish risks with our money, and put profit before people for way too long. This nation was created by the people, for the people...and the people have unfortunately positioned themselves firmly in the backseat. We let everyone else do the driving and complain to ourselves instead of those behind the wheel.

These days the media chases news, not stories and truth. Politicians are slaves to corporate backing and the majority of them care more about their titles and terms; not serving us as they are supposed to be doing. The government bails out the banks and the businesses, and leaves the individuals shackled with the burdens of their shady ethics and mismanagement. The "little guy" is left to pull up their bootstraps and pray for things to get better.

And we're letting it happen.

Not all of us, of course. I know there are many people out there saying "no, not any more." But a lot of us feel powerless against these formidable foes. We're deceived by a representative who promised to be transparent--and watch as no one holds him accountable. We're mistreated by a company who fails to deliver on a brand promise--and we're out the cash. We're at the receiving end of a hike in credit card fees--even though we've always paid on time. It's difficult to know which end is up when the world around us exudes irrationality and a mixed-up moral code

To bring this country back from the brink of disaster, we have to dig down deep and find the words to express our anger, our outrage, our commitment to making this world a place we can all be proud to call home.

Save America: It's Up To US!

Saturday, November 21, 2009

Girl In The Sky



Running faster, picking up speed, here I go now
No can one can stop me
I’m wearing the cloak of protection
I’ve had it always
only found it yesterday.

Feet pound against pavement, snug in my shoes
I’m breathing fast and in control
The ground gets farther and farther away
Don’t need it
I’m flying now.

Past the birds, the clouds, the airplanes
The runners who stick to the earth
I’m too fast for them; they hold themselves back
And I refuse.

Fast again, wind whips at my skin, yells
“Move! Higher! Go!”
And I do, I am a follower of the wind
A friend of the sky
I know my place in this world
And I know it is not
Forever.

This poem wrote me. I let my fingers soar across the keyboard until they found the letters and the words they wanted. Didn't do too much editing when it was done. I liked its energy and felt something true and uninhibted in the poem's stanzas. There's a time and a place for a well-carved poem; and the right moment for something a bit more raw.

After, I found this great image of a woman being lifted up and over a house (maybe hers, maybe not). It felt like the perfect fit. Up, up and away....not unlike how this poem came into being.

Over the years, I've learned not to fight the writing that has a mind of its own. In fact, it's the out of control writing that makes me feel most connected to something way beyond myself...a God who chooses to reveal himself without direction, rhyme, or punctuation.

Wednesday, November 18, 2009



I loved Judy Blume books when I was growing up. I love them now, too. She captures what it means to be a girl in a way that's utterly timeless. I felt comforted by her characters that were smart, curious, and emotionally invested in the people surrounding them. Too many authors neglect the true emotional connections in their novels. They're heavy on gimmicks and plot devices, and weak on heart.

I recently found this quote from her and smiled at its simplicity and truth. Isn't friendship such an amazing and crucial part of life? Doesn't matter if it's your husband, sister, mother, girlfriend...moments with a real friend, someone who can be present with you through bliss and through pain, are precious. They are to be held onto like a cup of tea; gently but with both hands. Friends serve as our mirrors and as our pillows. They reflect who we are back at us and show us where we need to to grow, need to love, need to push forward--and the cushion our heads when the weight of the world drags us underneath the covers.

I've been blessed with both friends who have stuck by me and supported me, and friends who have flown the coop when it was no longer convenient. I say blessed because the good friends are my LIFE. They fill my heart and soul with such love and understanding and I do not want to participate in this earth experiment without them. The not-so-good friends have pushed me to look at myself more deeply, to question and refine my values, to learn the meaning of letting go. The anguish I've experienced when a friend reveals themselves to not be so has burned away my false expectations of myself and others and let me see the world more clearly. That's a gift.

I have so many dreams and ambitions, but one of my most valued is to be a good friend--to myself, to my husband, to my family, and to those cherished few who have let me into their lives. To remember their journeys, to be present for their celebrations and their devastations, to know them as completely and honestly as they will let me.

Tuesday, July 14, 2009

Back In Boston

It was over a year and a half ago that Jorge moved to the South Shore of Boston for a fantastic opportunity at a small, successful video game studio. Two weeks ago, I flew out of Akron/Canton airport with two suitcases (both weighing 49 lbs each...wiggling their way just under the "overweight" moniker that results in a $50 charge) and into Logan airport. I wasn't born in Boston, but it certainly felt like a homecoming. I went to college at Boston University, then graduate school, too. After a short stint in Hoboken, NJ, I moved back to Boston. Something about this city just keeps calling me back.

There's a lot to love here..and a lot that makes me go, "where the hell am I?"

LOVE:
-Amazing ice cream. Herrells, JP Licks, Angora's Cafe to name a few.
-The Water. I love how Boston uses its waterfront, something Cleveland appears to be brainless about.
-Boston Common & Gardens. Absolutely gorgeous, perfectly landscaped, miraculously peaceful.
-Food. Every cusine for every tastebud is within reach. I adore the Other Side Cafe...where else can you get freshly made raw juices, smoothies, gourmet sandwiches AND one of the biggest beer lists you've ever seen?
-Everything is close. Connecticut, Rhode Island, The Cape, New Hampshire...all just a short drive away.
-Independent & international films. Easy to find, easy to love
-INTELLIGENCE. With so many universities around, there are smart, creative, and fascinating people everywhere. Stop into a CVS for some errands, end up having a 20 minute conversation about the illusory nature of reality.

WHERE THE HELL AM I?
-Perhaps to balance out the big brains, there is a plethora of people in Massachusetts who seem to have had their medullas separated from their oblongatas. Case in point: Jorge and I were in a local restaraunt and asked what vegetarian options were available. The response was "how about some chicken fingers?"
-An obsession with furniture. Furniture stores advertise more frequently than democrats and republicans blame each other for the world's problems.
-Potholes. I take that back. Boston doesn't have potholes, they have craters.
-Self-obsession. A lot of people here seem to think that Massachusetts is the only state in the union. Mention "Ohio" or "California" and their eyes glaze over and the only word they can utter is "WHO?"
-RED SOX NATION. Being a fan here is more about cursing the yankees. I'm from Cleveland. yes, I'm extremely jealous.

I miss my family and friends...but, Boston, I'm glad to be back. I've got some karma in this town and I've got a feeling it's bringing me some pretty amazing experiences.

Sunday, July 05, 2009

Megan & Jorge Get Married

After a year and a half of once-a-month weekend visits, long phone calls, exhausting planning and too many nights wondering when our life together would get started, Jorge and I got married on June 13, 2009 at the Cleveland Botanical Gardens. It was an unbelievable wedding, if I do say so myself. The gardens are one of the most beautiful spots in Cleveland, a spiritual oasis in the middle of the city. We said our vows in the Japanese Garden, as gospel singers sang "Are you ready for a miracle", standing atop big, smooth stones that reminded me of that classic bible school song "The wise man built his house upon the rock." Our friend and officiant Reverend Hamp Horton dropped the rings, but my Dad saved the day by leaping up from his seat and swiftly getting them back into Hamp's hands. Who needs a wedding without ring drama?

Our photographer, Melissa Rudick, captured amazing shots of every little moment and detail--and since Jorge and I are both creative, picky, and slightly weird, there were a lot of details. Check out some of her work here: www.melissarudickphotographyl.com/blog

To everyone who joined us, Thank You. There have been moments, days in my life that I've felt God's presence so profoundly that I know I'll never be the same Megan again. June 13th was one of those days and I'm honored that you could be there. Hopefully you felt something, too.